Tag Archives: narratives

Need for new utopian stories

Following up on the previous post’s William Gibson quote, another science fiction writer with interesting ideas about the future is Scottish writer Charlie Stross.  On his weblog Charlie’s Diary, he writes about something I think is important, the need for new positive visions of the future.  He writes:

It seems to me that one of our besetting problems these days is that there’s a shortage of utopias on offer.

… it seems to me that the post-cold war neoliberal dominated political consensus … is intrinsically inimical to the consideration of utopian ideals. Burkean conservativism tends to be skeptical of change, always asking first, “will it make things worse?” This isn’t a bad question to ask in and of itself, but we’re immured a period of change unprecedented in human history (it kicked off around the 1650s; its end is not yet in sight) and basing your policies on what you can see in your rear-view mirror leaves you open to driving over unforseen pot-holes. To a conservative, the first priority is not to lose track of what’s good about the past, lest the future be worse. But this viewpoint brings with it a cognitive bias towards the simplistic outlook that innovation is always bad.

Which is why I think we badly need more utopian speculation. The consensus future we read about in the media and that we’re driving towards is a roiling, turbulent fogbank beset by half-glimpsed demons: climate change, resource depletion, peak oil, mass extinction, collapse of the oceanic food chain, overpopulation, terrorism, foreigners who want to come here and steal our jobs. It’s not a nice place to be; if the past is another country, the consensus view of the future currently looks like a favela with raw sewage running in the streets. Conservativism — standing on the brake pedal — is a natural reaction to this vision; but it’s a maladaptive one, because it makes it harder to respond effectively to new and unprecedented problems. We can’t stop, we can only go forward; so it is up to us to choose a direction.

Having said that, we should be able to create a new golden age of utopian visions. A global civilization appears to be emerging for the first time. It’s unstable, unevenly distributed, and blindly fumbling its way forward. But we have unprecedented tools for sharing information; slowly developing theories of behavioural economics, cognitive bias, and communications that move beyond the crudely simplistic (and wrong) 19th century models of perfectly rational market actors: even models of development that seem to be generating sporadic progress in those countries that were hammered down and ruthlessly exploited as colonial assets by the ancien regime and its inheritors.

We need — quite urgently, I think — plausible visions of where we might be fifty or a hundred or a thousand years hence: a hot, densely populated, predominantly urban planetary culture that nevertheless manages to feed everybody, house everybody, and give everybody room to pursue their own happiness without destroying our resource base.

Because historically, when a civilization collapsed, it collapsed in isolation: but if our newly global civilization collapses, what then …?

Weaving ‘Protective stories’ to secure urban green areas

Henrik Ernstson and Sverker Sörlin‘s article Weaving protective stories: connective practices to articulate holistic values in the Stockholm National Urban Park, (2009 Environment and Planning A).  Is described in a Stockholm Resilience Centre press release ‘Protective stories´ help secure urban green areas:

Despite strong exploitation pressure, a diverse urban movement of civil society organizations in Stockholm has managed to provide narratives able to explain and legitimize the need to protect urban green areas. Through ‘protective stories´ that interlaces cultural history and conservation biology, activists have managed to link areas previously considered disconnected and justifying the need for a better, overall protection of the areas.

Crucial for generating and keeping alive such narratives have been artists, authors and scientists and their artefacts like paintings, maps, buildings and scientific reports. While some artists are from the historical past, others have worked alongside the movement in producing artefacts towards articulating certain values. When re-printed in media, displayed at an exhibition, or published in a book, these artefacts — old or newly produced — also become agents in “telling the story” so as to put pressure on authorities and to change public opinon.

Such networks of activists, artefacts and social arenas do not possess any formal power, but they can nonetheless achieve a lot, both as a community of practice wielding power and knowledge but also through mobilizing yet more actors and artefacts to make the network grow. The protective story is kept alive at many places continously and simultaneously, says Ernstson.