Edward Burtynsky’s Oil
Alberta Oil Sands #6, Fort McMurray, Alberta, Canada, 2007.
From Foreign Policy magazine’s website
A decade of photographs exploring the impact of oil from the acclaimed Canadian photographer Edward Burtynsky. The collection will be on display at Washington D.C.’s Corcoran Gallery through Dec. 13.
Photographer Ed Burtynsky has proposal a “The Gallery of the Long Now.” It would compliment the Clock of the Long Now project, now underway. The idea for the clock was hatched over 20 years ago and the goal is to build a clock that can run–by itself–for 10,000 years. The plan is for it be housed in a mountain, protected from the elements – Burtynsky thinks that a gallery would be a great addition.
On the The Long Now Blog Stewart Brand writes about Edward Burtynsky‘s proposal for a 10 000 year art gallery in the Clock of the Long Now (aimed at fostering long-term responsibility) in its Nevada mountain site.
The gallery would consist of art in materials as durable as the alloy steel and jade of the Clock itself, and it would be curated slowly over the centuries to reflect changing interests in the rolling present and the accumulating past.
Photographs in particular should be in the 10,000-year Gallery, Burtynsky said, “because they tell us more than any previous medium. When we think of our own past, we tend to think in terms of family photos.”
The rest of the presentation was of beautiful and evocative photographs from three demonstration exhibits for the proposed gallery—”Museum of the Mundane” by Vid Ingelvics; “Observations from a Blue Planet” by Marcus Schubert; and “In the Wake of Progress” by Burtynsky himself. A typical Burtynsky photograph showed a huge open pit copper mine. A tiny, barely discernible black line on one of the levels was pointed out: “That’s a whole railroad train.” Alberta tar sands excavation tearing up miles of boreal forest. China’s Three Gorges Dam. Mine tailing ponds beautiful and terrible. Expired oil fields stretching to the horizon. Michelangelo’s marble quarry at Carrera, still working.
“This is the sublime of our time,” said Burtynsky, “shown straight on, for contemplation.” Indeed worth studying for centuries.