In the 1930s the American art collector Albert Barnes commissioned Henri Matisse to produce a major painting for his private gallery in Merion, outside Philadelphia. Matisse was ecstatic: He rented an old cinema in Nice, where he lived at that time, and spent the entire next year completing the work, a dance triptych. He was pleased with the result. But when the piece arrived in Merion, Barnes wrote to Matisse explaining an unfortunate oversight: His collaborators had taken the wrong measurements, so the painting did not fit on the gallery wall. The difference in size was marginal, and Matisse could easily have tweaked the triptych to fit the wall, a technical fix. But instead he rented the cinema for another 12 months to complete a new painting with the right dimensions. Moreover, since he felt that mindless duplication was not real art, Matisse considerably changed the concept, effectively creating a whole new design. And in this process of reworking the piece, as he experimented with forms that would capture the dancers’ rhythmic motion, he invented the famous “cut outs” technique (gouaches découpés), what he later labeled “painting with scissors.” Whether consciously or unconsciously, Matisse turned a mistake into an opportunity for innovation. The new triptych not only pleased Barnes, but also served as the stylistic starting point for what would later become Matisse’s most admired works.
The French master’s ad hoc ingenuity captures the essence of an emerging concept known as resilience. Loosely defined, resilience is the capacity of a system—be it an individual, a forest, a city, or an economy—to deal with change and continue to develop. It is both about withstanding shocks and disturbances (like climate change or financial crisis) and using such events to catalyze renewal, novelty, and innovation. In human systems, resilience thinking emphasizes learning and social diversity. And at the level of the biosphere, it focuses on the interdependence of people and nature, the dynamic interplay of slow and gradual change. Resilience, above all, is about turning crisis into opportunity.
Resilience theory, first introduced by Canadian ecologist C.S. “Buzz” Holling in 1973, begins with two radical premises. The first is that humans and nature are strongly coupled and coevolving, and should therefore be conceived of as one “social-ecological” system. The second is that the long-held, implicit assumption that systems respond to change in a linear—and therefore predictable—fashion is altogether wrong. In resilience thinking, systems are understood to be in constant flux, highly unpredictable, and self-organizing with feedbacks across multiple scales in time and space. In the jargon of theorists, they are complex adaptive systems, exhibiting the hallmark features of complexity.